Argue that Giorgio Agamben’s concept of “the coming community”

This is a paper that is focusing on the student to argue that Giorgio Agamben’s concept of “the coming community”. The paper also provides additional information to use in the writing of the assignment paper. Below is the assessment description to follow:

Argue that Giorgio Agamben’s concept of “the coming community”
Analyze a specific community (either fictional or real) by composing a two to three-page response to any of the prompts below.

  1. Argue that Giorgio Agamben’s concept of “the coming community” can be seen in the 1980s punk scene (using evidence from Under the Big Black Sun), season one of Lodge 49(on Hulu) or in season one of Community (on Netflix). A strong organizational strategy for this essay would be to connect key ideas from Agamben’s book. To specific quotations from the book or scenes from your chosen show. Additionally check the “Explaining Agamben” document on Canvas for more suggestions regarding things to look for as you read (or watch either show).
  2. Examine any cult (fictional or real) profiled in a documentary film or featured in a television show/movie. Make the argument that the group demonstrates the opposite of Agamben’s “coming community” ideal. Some options to consider in the fiction category: The Path, Martha Marcy May Marlene, season one of The Leftovers; in the documentary category, consider Going Clear, Wild Wild Country or Holy Hell.
  3. Thirdly, one of Agamben’s major philosophical inspirations is Bartleby (a character from the short story by Herman Melville). Who, when confronted by changing expectations at work, simply refuses to participate.

Drawing on details from the “Bartleby” chapter in The Coming Community, make the argument that his ideas can be seen in the film Office Space. You may also want to reference Melville’s story “Bartleby, the Scrivener: A Story of Wall Street” and/or Renée van Riessen’s “Community and its Other” to help identify and explain Agamben’s ideas.

  1. René Girard argues that communities are brought together when they have a common enemy or a scapegoat to blame for social conflict.
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